by Alice Morgan
Blue and Peach is a Cozy Loft original webcomic.
Copyright © 2017 Alice Morgan. All Rights Reserved.
by: Alice Morgan
This is Cornelius (Corny), the Little Yellow Ninja. He is here to warn you about mature content. You have been warned.
The movie begins with a sickly-sweet, cutesy presentation about how this mega meat corporation (Mirando) found a special pig in a middle of nowhere ranch. They managed to reproduce 26 of these pigs by “non forced, natural mating.” (Haha) They expect these super pigs to revolutionize meat production, because they consume less food, produce less waste and expect to taste better than the average beef or pork. Now, that’s already a mountain of stupid right there, but don’t worry, it gets worse.
The company decides to hold a contest. They send 26 piglets to 26 countries and give them to farmers who will raise them with traditional farming techniques unique to their region. The best and most beautiful pig will win… in 10 years.
Now, that marks the first five minutes of the movie. I would expect the viewer to have many questions by this point — I certainly did. One important thing we learn is that everybody inhabiting this universe is a moron, because people actually believed this blatant lie.
If Mirando wants to stick to their story about naturally breeding pigs, how do they expect to feed billions of people? Remember, at this point there are only 26 pigs, and they will be raised separately in different countries… for a decade… You would think that when they eventually turn up with 26 million pigs, someone would be like, “So, how did this happen?”
Anyway, we fast forward 10 years and we meet Okja who is a super pig entrusted to a Korean farmer. The farmer’s granddaughter — Mija — forms a bond with Okja and… sigh, you know where this is going. This movie does not contain epic plot twists. We spend an agonizing ten minutes of Mija playing with the pig, just so the movie can establish that they have a special bond. This ten minute includes a scene where Mija tries to pull the 10 ton pig across a narrow mountain path. Unfortunately, neither of them die and the movie continues.
The supporting cast
The day finally comes; Okja is taken away and we meet some of the most irritating characters in the story.
Mundo Park. Must be a common Korean name… He fills the role of businessman and comic relief.
Jennifer. She is really annoying. That pretty much sums up her entire character. Also comic relief.
Grandfather. Not a comic relief, just sad. There is a painful scene where he gets into an argument with Mija. It’s by far the worst scene in the entire movie. I’m not sure what direction the actor got, but he is so over the top and awkward that it was hard to take him seriously.
Jay. ALF leader, animal lover. He was supposed to be the rational, calm and intelligent character in the story. Head of the operation: the one who got the smarts. Unfortunately, he delivers dialog like a psychopathic mass-murderer, so he doesn’t come through as a very likeable character either.
However, neither of these people can live up to the legend of cringe: Dr. Johnny Wilcox, face of Mirando corporation and full-time cartoon mascot.
Mija is determined to rescue Okja. She does. They meet some friendly terrorists who abduct them. The group’s name is A.L.F. as in Autistic Lying Fu… I mean the Animal Liberation Front. They free animals from abuse. Naturally, they set out to help Okja in order to bring awareness to the masses.
The Animal Liberation Front
ALF is probably the worst thing in this movie. which is pretty bad considering that they are supposed to be the heroes we look up to. They dress like terrorists, behave like terrorists and they have this funny quirk where they threaten to kill someone by shoving a gun into their face and tell them not to worry. “Haha, I’m totally chocking you into unconsciousness but don’t worry, I won’t kill you. It’s a non-lethal choke hold after all! Nothing to worry about! We are so harmless, lolz.”
Just because you don’t kill someone doesn’t mean it’s OK to hurt them. I would suggest —if you can help it — to avoid causing people lifelong psychological damage. ALF claims to stand against animal abuse but they gladly use violence against others. Having no regard for human life shouldn’t be celebrated. Violence shouldn’t be celebrated. There is nothing heroic about their actions, and endorsing this type of behavior is wrong. The movie tries so hard to make ALF appear honorable, by having their own code of honor and asking for consent; too bad it’s only a charade and ironically, they are not any better than the “evil” corporation they fight against.
Jay, K, Blond, Red, Silver. These are the names of the ALF’s members. Was “Steve” not rad enough for you? You could have called at least one of them “Mike”. That’s a freebee; being American, it is statistically improbable that at least one of them is not called “Mike”. I’m aware that these names are probably not displayed on their birth certificates, however, this unusual naming convention clashes with the movies intended tone.
When you decide to make a movie, it is helpful to sit down and think about what type of movie are you making. Is it going to be a social commentary that was intended for serious discussion, or is it going to be a fun, animal adventure with poop jokes? Who is the intended audience? I think it is safe to say that they set out to make a more mature film. Of course, that doesn’t mean it can’t include humor, but it needs to be moderate enough to preserve the perspective. Focus is important. Even the poor actors can’t tell what type of movie they are in. Some of the characters give a more serious performance, like Glenn (Steven Yeun), Mija and the terrorist gay couple, while the rest of the cast think they are Disney villains and get their inspiration from Cruella de Vil and Maleficent. In conclusion, the slap stick doesn’t fit the narrative, and the result is a disturbing mess.
The CGI hippo
There is no reason for the CGI “pig”, other than to add a magical element to the story and to push it towards a more kid friendly, ET like adventure. Using an actual pig or a cow would have given it more heart, making it more relatable. Again, we are talking about other major topics such as animal experiments, GMO and gene editing. Was it necessary to touch on these topics besides the ones that are already in the movie? Even if the answer is “yes”, there is still no need for a fake CGI nightmare, since these dangers could have easily been demonstrated on any other type of animal.
Also, Okja is not a pig. The closest pig I could find that looks somewhat similar to Okja is called the babirusa, but even that is a stretch.
I haven’t heard such a mismatched soundtrack since they played Californication at the end of Death Note. Music generally improves movies, it brings the picture to life, filling the viewer with a deep sense of awe, heart-wrenching sorrow, or the thrill of being alive. This movie however managed to do the exact opposite and made me question if the production crew was indeed high when they made this.
Let’s start at 44:00. Chase scene in the mall. Que Easter European party music. Based on later efforts I wager they were looking for something that matches the slap stick — because this scene should be funny — but they were also going for something to do with the circus. Around 46:40 we transition to “Annie’s Song” by John Denver. Again, this is supposed to be funny.
(I actually just noticed this, but at 48:20 one of ALFs grabs the crutches of a stranger and blocks a door with them. What a hero. This is followed by an other ALF pouring marbles(?) on the ground to stop the police from chasing them. Marbles… I rest my case.)
At 58:30 there is another strangely optimistic instrumental with chimes. The next time we hear music again is at 01:07 and… it’s bouncy? Where the hell did they get these from, shittysoundtracks.com? If it would be traditional Korean music I would understand. It wouldn’t fit either, but I could make some connections at least.
There is this scene where Mundo is running after the ALF truck. Okja poops. Mundo is covered in poop. I know ha-ha, hilarious. BUT WAIT! He calls his wife TO ASK what kind of soap do they have at home. I think, unless they have soap that smells like shit he should be covered.
One of the benefits of super pigs is that they produce less waste, and yet, they managed to sneak not one, but two poop jokes in the movie.
If you are going to comment on police brutality and corruption, at least take the effort to research what a police officer looks like. It’s insulting.
ruined swearing for me
I’m a fond of swearing. It is a form of self-expression and often helps to relieve stress. Swearing is against censorship and authority; it stands for the freedom of speech and progress and — besides everything I just listed — it is fun! Most of my favorite comedians swear extensively, and it’s glorious! However, one must be careful. You can’t swear all the time, otherwise you come across as an uneducated fuck. There needs to be a balance, and a sense of comedic timing is also helpful. This movie has none of these things and yet they insist on swearing all the time. It’s a cringe overload.
How could it be improved?
If you want a social commentary on how corporations are evil don’t pick a meat company as the antagonist. It will distract from the message and people will argue about how eating meat is evil. Actually, you can tell how the movie fails terribly in this regard when you read the comments and reviews. People can’t decide what the movie is about. That’s because it’s about everything and nothing at the same time. It tries to say so much, but in the end it says nothing.
By far, the best thing that came out of this movie was actress Seo-Hyun Ahn, who played Mija. Her performance was the most convincing, which is even more incredible considering that most of the time she was playing with a CGI hippo.
But… I saw positive reviews for this movie…
Yeah me too. It made me question the reality I live in. That’s why this review ended up being a 2000 word essay.
A lot of people felt a connection with this movie because they thought it represented some sort of truth, or the essence of something to be considered true; something so universal that everybody can stand behind it. It was certainly vague enough to feel that way. Okja tried to tackle topics that could be separate movies on their own, and the experience is overwhelming. There are people calling out others, saying how stupid they are for not understanding that the movie is about evil corporations and consumerism. Well, so Is the Lorax. Or Baby Geniuses. It doesn’t mean they are good movies, nor that they do a good job at arguing their point… and if the movie is about lazy consumerism, with lazy writing, acting, and terrible characters, then maybe the joke is on them?
your review is causing me grief and sadness…
I did start with a trigger warning. On that note, It wasn’t my intention to piss anyone off. I simply had to get this out of my system as a form of therapy. I can’t afford a therapist, you see. College and all…
This could be a fun movie to watch with a small group of friends… and a drink or two… if you really, really want to watch it. I saw it with my brother and we were laughing the whole time. Except when they were breaking the pigs’ neck. That was fucked up.
If you suffered through this movie by yourself, I can only hope that — in a small way —I helped you on your journey to recovery.
I wish your dreams to be free of miracle hippos.
and full of bacon.
by Alice Morgan
When the struggle is real.
Blue and Peach is a Cozy Loft original webcomic.
Copyright © 2017 Alice Morgan. All Rights Reserved.
the new golden age of comics
Marvel has enjoyed an obscene amount of success since the release of Iron Man (2008). They found themselves a genre and ran with it. They noted what people liked and disliked and using that information crafted a formula that — with some ups and downs — worked for them for almost a decade, making not one or two successful movies, but trilogies upon trilogies; an all encompassing universe. I don’t blindly consume everything Marvel, nor can I subscribe to everything they do, but what they achieved is kind of incredible.
Unfortunately, their success came with the side effect of everybody wanting to copy them, ushering in the era
of cinematic universe building.
The Rivalry (DCEU vs MCU)
DC always leaned towards the more realistic, dark and gritty interpretation of its heroes, while Marvel embraced comedy adventures with a dash of color. There is no right or wrong with either of these approaches. Both can be done right with the only difference being the viewer’s preference, and yet more often than not DC seems to fall short. But why?
DC failed at making their most iconic characters likeable. Superman is suffering from a severe existential crisis and chronic depression, Batman can use guns and murder with no regard to human life and Lex Luthor has hair. It’s madness.
When you are throwing millions — if not billions — of dollars around, mediocrity is not going to cut it. After making four feature length films that didn’t perform that well I can only imagine the pressure. This desperation became apparent in Suicide Squad. DC was trying so hard to be Marvel. A complete visual overhaul with 100% neon lights and one Harley Quinn added into the mix. Unfortunately, that wasn’t the problem and the movie flopped, proving yet again that you can’t fix a shallow, boring and confusing story with eye candy. Well, the real lesson here is that you should respect your viewers more, but I digress.
Where is the wonder?
So, here we are again with Wonder Woman. Most people seem to love it and there are positive reviews all around. I will give it about one and a half months before all the negative reviews start to come in. First it will be something about the movie being feminist propaganda. Then you will see YouTube videos such as “Is it really as good as we first thought?” implying that somehow we were tricked into liking it and similar kind of nonsense. Regardless, the biggest driving factor behind these comments will be the comparison between Wonder Woman and Captain America. How different are they? I haven’t seen it yet, so all I can comment on is what I have seen from the trailers and it looks like DC finally learned how to make a good Marvel movie. Yay? Was that the goal all along? Is this the endgame everybody was waiting for? I wouldn’t say it’s wrong, but rather ironic, don’t you think?
Besides Wonder Woman we have another movie franchise competing for the spotlight.
The Mummy (2017)
So, a quick recap. On May 22, 2017 Universal Pictures announced that they will be bringing beloved classic monster characters to the big screen. They also revealed that this extended universe is going to be called the “Dark Universe”. The first movie in the Dark Universe series is The Mummy, which is now released and ready to be seen in theaters near you. Below you can watch the Dark Universe announcement trailer and the trailer for The Mummy.
Now, even by just watching the trailers above you can tell that something is not right here. It doesn’t really feel like this new incarnation of The Mummy has anything to do with the classic monster movie at all. Where is the suspense? Where is the horror? Where is the connection? I was actually so confused at first, I thought they are remaking the 1999 action-adventure
starring Brendan Fraser.
So, I went ahead and checked the official announcement on the official Dark Universe website, where I made an interesting discovery. I want you to read it carefully with special care regarding the highlights.
Now, what did we learn from this? We learned more from what is not in the announcement than from what’s in it. For example, it doesn’t state anywhere that:
a. it is going to be a horror movie (or has anything to do with horror in general)
b. it is going to be a reboot
That’s right. Even though Universal heavily relied on footage from the original movies in their reveal trailer, making us believe that the focus of the new movie is going to be similar, it’s never actually stated anywhere what type of movie it is going to be. When they say “reviving the studio’s classic monster characters”, that’s all they mean. They focus on the characters. They are talking about “relaunching Universal’s iconic characters into modern cinema.” They had no intention of making a horror movie. Ever. It’s not profitable. It’s not safe. Assuming that you, my dear reader, enjoy horrors and thrillers, when was the last time you actually saw a good horror movie? Maybe The Babadook? Split? Get Out? Let’s face it, horror movies — with a few respectable exceptions — are a joke. The most enjoyment you get out of them is when your favorite YouTubers review them on their channel. Definitely not blockbuster material.
All Universal wanted from the beginning is the characters. They wanted the name recognition because making a movie is a gamble and having characters that the audience already know and love reduces the amount of that gamble. But, man, what a shame it is.
A lost opportunity
I was really excited for this project and it was partially because of the abundance of super hero movies we have the pleasure to enjoy these days, and I do enjoy them! On the other hand, it’s getting a bit too much. I was ready for a new experience, I would have welcomed the darkness, the chills, and the shivers down my spine and I think a lot of people feel the same way. Maybe Dark Universe wouldn’t have been as much of a gamble as they thought it is. People are ready for something new, if only they had committed. Instead, we got another Marvel-wannabe, action-adventure-fantasy-comedy thing.
The biggest issue with all of this is when you focus your entire marketing campaign on the fact that you are bringing classic horror monsters to life, that’s what people are going to expect. When people want to see the Bride of Frankenstein, they don’t expect a romantic comedy. This is part of the reason why the movie is doing so poorly. Oh, if you are wondering, Bride of Frankenstein will be the next in the Dark Universe series so…
Prepare for Bride of Frankenstein, 2019 the romantic-comedy-fantasy-adventure!
Footnotes and PS
Now one of the coolest thing about this project is how they are planning to connect all the movies. Now, of course I only know about this because I have read the announcement. It was really thoughtful to put it in the last paragraph where no one would read it 😀 I mean it’s not like this is an integral part of the cinematic universe you are trying to build.
I’m of course conscious of the fact that I’m doing the same thing and if you have read this far, consider this your reward.
So, if you click that link below you can check out what Prodigium is up to these days.
As all great websites, it will automatically start playing a video, so mind your headphones. After the video is done playing you can click on the tiny camera in the bottom right corner to look around, etc. It’s pretty neat, except mind your headphones again.
(No, I don’t know either why they decided to make it look like gameplay footage from 10 years ago.)
PS: “Why is the Bride of Frankenstein being released before Frankenstein?” asked the voice of reason skeptically.
PSS: some pins
PSSS: Honestly, if you read this far you are golden. Go on now, I don’t want to hold you back anymore. The cure for cancer ain’t gonna find itself. Also, don’t forget to call your mom.